Nice Ideal ...
That affirmed Platonist, Algernon
Swift, makes an interesting discovery: by adding an S to certain words he can
increase the number of abstractions in the world. Thus:
phonelines become
phoneliness
headlines
become headliness
and
trainlines
become trainliness
(a quality in which, of course, all
trains partake).
Better still, he discovers that by
adding a T to other words he can live in the world of Ideal Forms. Thus, he no longer takes a turn in the
shrubberies but in the shrubberiest.
These are not blackberries he picks and puts in his mouth but the
blackberriest. And when he collects
together a large number of anything, they do not form any old pile of random
rubbish but the congeriest.
Swift writes to Reverend Hawker, to
tell him of his discovery.
Horror
Ensues ...
But
that materialist, Reverend Hawker, is having none of it. “You eel!”
he writes by return of post, in a letter which reduces the world to a
model of mechanical reproduction.
And
this he does merely by removing the S from various abstractions.
Where
once it was the qualities of Manliness and Womanliness that defined the human race, now they
are replaced by the mechanical horror of
Manlines and Womanlines.
In
this barren landscape, Beauty is reduced to Lovelines
and spiritual virtue to mere Saintlines.
And
should a person seek to assert his individuality by being a little bit human
and untidy, this untidiness is immediately subsumed into the mechanical process
and reordered into Slovenlines.
And
should he cry out at his sense of isolation, it will not take him long to
realise he is merely one of many standing in long lonelines -- in long
appalling lonelines that stretch as far as the eye can see.
Swift
is disconsolate.
Consolation arrives ...
Swift
lies back on his couch and yearns for the soft touch of comfort. Which is not long in arriving, for soon comes
stealing into his mind the conception of
Nature at her loveliest
A garden at its prettiest
Womankind at her comeliest
and
Female form at its shapeliest.
By
discreetly removing the T from the end of each of these, Swift finds his couch
surrounded
by lovelies,
by pretties,
by comelies
and shapelies,
among
whom he reclines as if he were a knight in a Pre-Raphaelite painting, and sinks
into sleep with a milk-drunk baby’s look
of utter satisfaction on his face ...
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